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Archive for November, 2010|Monthly archive page

‘MANIAC’ 30th Anniversary Theatrical Release

In Exploitation, Grindhouse, Horror, Movies on November 28, 2010 at 12:40 pm

Following the successful North American theatrical release of Sam Raimi’s EVIL DEAD,  Grindhouse Releasing has partnered with director William Lustig and his company Blue Underground to put Mr. Lustig’s classic gorefest MANIAC back on the big screen.

MANIAC stars the late, great character actor Joe Spinell (ROCKY, TAXI DRIVER, THE GODFATHER) as psycho-killer Frank Zito, a creepy loner type who works through his Mommy issues by scalping and mutilating random women in New Y0rk City. The movie was hated by critics, picketed by feminist groups, and still ranks as the sickest of all the ‘slasher’ style movies that followed HALLOWEEN and FRIDAY THE 13TH.

As theatrical director for Grindhouse Releasing, I’m very proud to be a part of making this happen. Big thanks to Bill Lustig , Andy Garroni and the good folks at BU for teaming up with us to celebrate the 30th anniversary of this notorious film.

Here are the screening dates; although some have already passed, I’ve included them all for posterity, and more will be added soon. Keep watching this space for updated listings in your city.

Oct. 29-30:     Landmark Egyptian Theatre (Seattle, WA) (presented by The Stranger)

Nov. 5:            Landmark Nuart Theatre (Los Angeles, CA) – Director William Lustig in person (presented by Bloody-Disgusting.com)

Nov. 12-13:    Landmark Esquire Theatre (Denver, CO)

Nov. 12-13:    Landmark River Oaks Theatre (Houston, TX)

Nov. 12:         Toronto Underground Cinema (Toronto, ON)

Nov. 19-20:    Landmark Sunshine Cinema (New York, NY) – Director William Lustig in person

Nov. 19-20:    Landmark Inwood Theatre (Dallas, TX)

Nov. 26-27:    Hi-Pointe Theatre (St. Louis, MO)

Dec. 2 & 9:     The Nickelodeon (Portland, ME)

Dec. 3-4:        Landmark Uptown Theatre (Minneapolis, MN)

Dec. 3-4:        Landmark’s E Street Cinema (Washington, DC)

Dec. 10-11:  The Castro Theatre (San Francisco, CA) – Director William Lustig in person (print ad in SF Weekly)

Dec. 17-18:    The Oaks Theater (Pittsburgh, PA)

Jan. 15:          Hollywood Theater (Portland, OR)

Jan. 21 & 22: Studio 35 Cinema (Columbus, OH)

Jan. 22:           MADCAP Theatres (Tempe, AZ)

Jan. 28-29:    Loft Cinema (Tucson, AZ)

Jan. 28-29:    The Music Box Theatre (Chicago, IL) – Director William Lustig in person

Feb. 8: Alamo Drafthouse Ritz (Austin, TX) Director William Lustig in person

Feb. 18, 19, 25, 26, Mar. 4, 5:   Coolidge Corner Theatre (Boston, MA) Director William Lustig in person Feb. 18 & 19

Mar. 5:            Cedar Lee Theatre (Cleveland, OH)

Mar. 11 & 12:   Dundee Theatre (Omaha, NE)

Mar. 25 & 26:     Screenland Crossroads (Kansas City, MO)

Apr. 16:  Byrd Theatre (Richmond, VA)

May 6: Colonial Theatre (Phoenixville, PA) – director William Lustig in person!

May 7:  Forum Theatre Arts Center (Metuchen, NJ) – director William Lustig in person!

May 12: Avon Theatre (Stamford, CT) – director William Lustig in person!

May 13 & 14: Guild Cinema (Albuquerque, NM)

Visit Grindhouse Releasing for more information.

Sollubi – ‘At War With Decency’ and ‘The Struggle’

In Hardcore Punk, Metal, Music on November 28, 2010 at 11:57 am

Here at HARD FEELINGS headquarters, the house band is always SOLLUBI. This group of degenerates has amazed my ears with two stellar releases: their debut CD “At War With Decency,” and “The Struggle,” a 36+ minute dirge issued on a split with Aquilonian (ex-Bongzilla.) Both discs are available from Choking Hazard Records.

In Naked Lunch, William S. Burroughs refers to the Sollubi as “an untouchable caste in Arabia noted for their abject vileness.” The band lives down to this description in all departments: instrumental, lyrical, and most of all, vocal – the hostile snarling of frontman Jesse Kling is a perfect match for the psychedelic bum-trip riffs and lyrics of guitarist Griff. Scott Stearns (bass) and Corey Bing (drums) provide the heavy rhythmic damage.

“Ours is the sound…the sound that defies all interest,” goes the refrain in “Underage Drinking Party,” and these guys sure know how to weed out the poseurs. Sing along with Kling: “There was a sexual assault…at the underage drinking party…and no one was surprised… and no one gave one fuck.” (Technically, at least one fuck must have been given if a sexual assault took place, but why argue with a nihilist?)

The title track of “At War With Decency” is 28 minutes of total negation. (It’s worth looking at the lyrics.) Throughout the disc, the band produces hateful, slow and horrible sounds with the kind of ugliness that only the truly sick-minded can achieve.

‘”The Struggle” really ups the ante not only in its grueling running time (a brutal endurance test best suited to the drugged and unemployed) but also in its chilling white-trash narrative. The song tells of a bound-and-cuffed motel-room scumfest in which subhumans become sordid “superstars” (presumably on Cops). The band builds a gigantic tower of instrumental doom, and when Kling starts to vocalize, the song just paralyzes. The grand finale, in which the mantra dissolves into a menacing wash of electronic noise (also courtesy of Kling) reminds me very much of what my cousin and bandmate Philip Markonish once said in a songwriting “strategy session” (cough, cough) for our doom band Blood Farmers: “We need to go for the slo-mo, gaseous ending.” In “The Struggle,” Sollubi takes this concept to its most radical extreme; the question is, what will these freaks do next?

In the meantime, Griff hosts a radio show called MY GHETTO in which he brings the ultra-heavy on a weekly basis to CHSR 97.9 FM in Fredericton, New Brunswick, Cana-duh. (Just to get the swinish graft right out in the open here, I’ll be guest-hosting an episode soon.)

Members of Sollubi also play (or have played) in Fistula, the Pennsylvania Connection, Rape-X, Cough Suppressant Alcoholics, and other insalubrious outfits. If you like Kil-Slug, Upside-Down Cross, Black Flag, Flipper, St. Vitus, Post Mortem,  or if you just hate everything, then you will dig on this noise.

Most people won’t give one fuck.